Postgraduate Course: Traditional Music (performance) (SCET11041)
Course Outline
| School | School of Literatures, Languages and Cultures |
College | College of Arts, Humanities and Social Sciences |
| Credit level (Normal year taken) | SCQF Level 11 (Postgraduate) |
Availability | Not available to visiting students |
| SCQF Credits | 20 |
ECTS Credits | 10 |
| Summary | Through a series of thematic case studies, this course explores traditional music in Scotland from early times to current day. One piece of required reading and listening will accompany each seminar and a study trip will take place as part of the course. Field recordings from the School of Scottish Studies Archives will be complemented by commercial recordings from contemporary musicians.
NB There are two pathways for this course: this pathway (performance) and a standard pathway focussing on critical engagement, and written and oral communication.
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| Course description |
Traditional Music provides a platform to understand traditional music repertoire and practice more fully, to contextualise traditional music through listening and performing, analysis, critical evaluation of leading scholarship and discussion. The discipline of ethnomusicology will be emphasised along with the introduction and development of key skills of fieldwork and descriptive analysis.
There will be opportunities to prepare and perform examples of traditional music repertoire, gaining tutor and audience feedback, and explore the relationship between performance and context in traditional music.
Case studies and themes can include: Scotland¿s ¿national¿ instruments, ¿Broken¿ tradition: Scottish harp, Niel Gow and C18th dance music, Composers and collections, C20th revival: Search for authenticity, Tradition and community, Electronic tradition, Advances in harmony, Contemporary practice: Seeking genre parity.
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Entry Requirements (not applicable to Visiting Students)
| Pre-requisites |
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Co-requisites | |
| Prohibited Combinations | |
Other requirements | None |
Course Delivery Information
| Not being delivered |
Learning Outcomes
On completion of this course, the student will be able to:
- Demonstrate familiarity with case-studies of traditional music
- Demonstrate a solid grasp of some of the major composers and collections
- Show awareness of some of the issues connected to traditional music e.g. orality and literacy, transmission, patronage, authenticity, change and stability, revival, community, identity, innovation, parity, commercialism
- Show competence in transferable skills, e.g. critical evaluation of source material, independent reading, coherent and clearly structured writing, oral presentation, group discussion, time management.
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Reading List
M.A. Alburger, Scottish Fiddlers and their Music (Gollancz 1983/Hardie Press 1996).
M. A. Alburger and I. Russell ed.s Play it Like it Is (University of Aberdeen, 2006).
G. Barz and T. Cooley ed.s, Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology (Oxford University Press, 1997).
J. Blacking, How Musical is Man? (University of Washington Press, 1973).
J. Beech, et al. ed.s, Scottish Life and Society: Oral Literature and Performance Culture A Compendium of Scottish Ethnology, vol. 10. (Edinburgh: John Donald in association with the European Ethnological Research Centre, 2007) [See Part Two: Song and Music]
P. Bohlman, The Study of Folk Music in the Modern World (Indiana University Press, 1988).
K. Campbell, The Fiddle in Scottish Culture (John Donald 2007).
R. Cannon, The Highland Bagpipe and its Music (John Donald 1988).
H. Cheape, Bagpipes: A National Collection of a National Instrument (National Museums Scotland, 2008).
F. Collinson, The Traditional and National Music of Scotland. (London: Routledge and Kegan Paul, 1966/1970).
P. Cooke, The Fiddle Tradition of the Shetland Isles (Cambridge University Press, 1986).
J. Dickson ed., The Highland Bagpipe: Music, History, Tradition (Ashgate 2009).
J. Dickson, When Piping Was Strong (John Donald, 2006).
R. Finnegan, The Hidden Musicians: Music-Making in an English Town (Cambridge University Press 1986).
C. Gore, The Scottish Fiddle Music Index (Amaising 1994).
D. Johnson, Music and Society in Lowland Scotland in the Eighteenth Century (OUP 1972).
D. Johnson, Scottish Fiddle Music in the Eighteenth Century (Mercat Press 1997).
J. Ling, A History of European Folk Music (University of Rochester Press, 1997).
G. W. Lockhart, Fiddles and Folk (Luath 1998).
N. MacKinnon, The British Folk Scene: Musical Performance and Social Identity (Open University Press, 1994).
S. MacNeill and F. Richardson, Piobaireachd and its Interpretation (John Donald 1987).
S. McKerrell ed., Focus: Scottish Traditional Music (Routledge 2015).
A. Merriam, The Anthropology of Music. (Northwestern University Press, 1964).
A. Munro, The Democratic Muse: Folk Music Revival in Scotland (Scottish Cultural Press, 1996).
H. Myers ed., Ethnomusicology: An Introduction (Norton, 1992).
H. Myers ed., Ethnomusicology. 2 vols (Macmillan Press, 1992-93).
B. Nettl, The Study of Ethnomusicology: Thirty-One Issues and Concepts. (Urbana: University of Illinois Press, 2005).
B. Nettl, Folk and Traditional Music of the Western Continents (Prentice-Hall, 1965/1973).
J. C. Post, Ethnomusicology: A Guide to Research (Routledge, 2003).
J. Purser, Scotland¿s Music (Mainstream, 1992).
K. Sanger and A. Kinnaird, Tree of Strings: A History of the Harp in Scotland (Kinmor Music 1992).
K. K. Shelemay, Soundscapes: Exploring Music in a Changing World (W.W. Norton, 2006).
M. Stokes ed., Ethnicity, Identity and Music: The Musical Construction of Place (Berg, 1994).
M. Stokes and P. Bohlman ed.s, Celtic Modern: Music at the Global Fringe (Scarecrow Press, 2003).
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Additional Information
| Graduate Attributes and Skills |
¿ Problem solving
¿ Critical and analytical thinking
¿ Independent research
¿ Handling complexity and ambiguity
¿ Digital literacy
¿ Creativity and inventive thinking
¿ Ethics and social responsibility
¿ Self-awareness and reflection
¿ Independent learning and development
¿ Decision making
¿ Interpersonal skills
¿ Verbal communication and presentation
¿ Written communications
¿ Planning
¿ Organising and time management
¿ Assertiveness and confidence
¿ Flexibility
¿ have the ability to produce clear, expressive, contextualised performance
¿ create, identify and evaluate options in order to solve complex problems in creative and critical work
¿ analyse facts and situations and apply creative thinking to develop the appropriate solutions
¿ analyse, synthesise, critically and methodically appraise ideas and information, recent scholarship and practice to break down complex problems into manageable components.
¿ capability to evaluate information thoroughly; identifying assumptions, detecting false logic or reasoning and defining terms accurately in order to make an informed judgement.
¿ conduct research and enquiry into relevant issues through research design, the collection and analysis of quantitative and qualitative data, synthesising, and reporting
¿ understand contextually relevant ethics and values, self-awareness, mental flexibility and openness, resilience and a commitment to life-long learning
¿ use and maintain IT and ICT skills, including familiarity with word processing, presentation software, digital archives, and use of internet search engines
¿ establish personal vision and goals
¿ be critically self-aware, self-reflective and self-manage in order to fully maximise potential
¿ be adaptable and manage complexity and self-direction
¿ be curious, creative, and take risks
¿ develop higher-order thinking and sound reasoning
¿ recognise and address ethical dilemmas, social responsibility and sustainability issues, apply ethical and their own/ethnological values to situations and choices
¿ learn how to deal with setbacks and failures and learn and develop from these
¿ seek and value open feedback to help self-awareness
¿ think independently, exercise personal judgement and take initiative
¿ be effective communicators who are able to read and write, present, listen, influence and network
¿ be an interactive communicator
¿ develop oral communication of complex ideas and arguments using a range of media
¿ communicate and persuade orally and in writing
¿ articulate and effectively explain information
¿ have multicultural and global awareness and understand the diversity in people and different situations including online
¿ be able to communicate complex ideas and arguments in writing using a range of media from formal writing to social media
¿ have the ability to produce clear, structured written work
¿ develop and use emotional intelligence and empathy
¿ plan, prioritise, and effectively use resources to achieve goals
¿ demonstrate inventive thinking¿adaptability, managing complexity and self-direction
¿ effectively adapting emotions, thoughts and behaviours to environments that may be unfamiliar, uncertain and/or diverse
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| Special Arrangements |
Jointly taught with postgraduate standard pathway students and undergraduate students. |
| Keywords | Traditional,music,folk,oral tradition,Scotland,fiddle,harp,pipes,revival,context,historic,modern |
Contacts
| Course organiser | Dr Lori Watson
Tel: (0131 6)50 8415
Email: |
Course secretary | Miss Charlotte McLean
Tel: (0131 6)50 4114
Email: |
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