Postgraduate Course: Instrumentation and Timbre (MUSI11068)
Course Outline
| School | Edinburgh College of Art |
College | College of Arts, Humanities and Social Sciences |
| Credit level (Normal year taken) | SCQF Level 11 (Postgraduate) |
Availability | Not available to visiting students |
| SCQF Credits | 20 |
ECTS Credits | 10 |
| Summary | Instrumentation and timbre remain powerful and evolving means of musical expression not only in mainstream composition, but also in contemporary music for the moving image. This course will equip you with the practical and analytical techniques necessary to develop a secure technique for instrumental ensemble writing within a creative context. |
| Course description |
A weekly series of lectures, supported by small-group tutorials, will cover a series of advanced topics in acoustic instrumentation and ensemble writing (including orchestral works) arising from 20th and 21st Century practices. These will include: an analytical approach to ensemble techniques; creative approaches to instrumental colour and texture; preparation of scores and materials to a professional standard; practical workshop sessions with professional ensembles. You will study existing repertoire in detail and develop your own skills of instrumental writing in a series of practical exercises.
The main aims of the course are:
- to encourage your analytical approach to existing orchestral/ensemble repertoire
- to improve your knowledge and understanding of the techniques of creating effective instrumental textures and sonorities
- to develop your skills of presentation and preparation of performance materials
- to develop your communication skills and practices applicable to working with professional musicians
You will examine and analyse 20th and 21st Century approaches to instrumentation and explorations of timbre, including the use of synthetic textures and live electronics. In addition to the lectures and tutorials, you will take part in two practical workshop sessions: one with Music's Ensemble in Residence, and one with another professional chamber ensemble. During these workshop sessions you will be able to work directly with the ensemble to trial your original instrumental work and/or new instrumentations of existing work.
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Entry Requirements (not applicable to Visiting Students)
| Pre-requisites |
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Co-requisites | |
| Prohibited Combinations | |
Other requirements | None |
Course Delivery Information
| Not being delivered |
Learning Outcomes
On completion of this course, the student will be able to:
- Demonstrate a critical understanding of contemporary approaches to instrumentation through creative practice and reflective writing.
- Apply a significant range of contemporary instrumentation techniques to creative practice.
- Develop creative and original uses of instrumentation techniques through creative practice.
- Critically review the use of complex timbres in musical works.
- Employ appropriate ICT skills to create professional-level scores and instrumental parts.
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Reading List
Black, D. & Tom Gerou. 1998. Essential Dictionary of Orchestration. Los Angeles: Alfred Publishing.
Del Mar, N. 1981. Anatomy of the Orchestra. London: Faber.
Lawson, C. (ed.). 2003. The Cambridge Companion to the Orchestra. Cambridge: Cambridge University Press.
Rimsky-Korsakov, N. (M. Steinberg ed., E. Agate trans.). 1964. The Principles of Orchestration. Toronto: Dover Publications.
Mathews, P. 2006. Orchestration : an anthology of writings. New York; London: Routledge.
Fineber, J. 2000. "Guide to the basic concepts and techniques of spectral music". Contemporary Music Review, 19:2, pp.81-113.
Adler, S. 2002. "The Study of Orchestration" (3rd ed.) New York: W.W. Norton and Company.
Gould, E. 2011. Behind Bars: the Definitive Guide to Music Notation. London: Faber. |
Additional Information
| Graduate Attributes and Skills |
Instrumentation and Timbre will foster personal and intellectual inquiry, analytical and creative thinking and problem solving. This is achieved through students applying contemporary techniques in instrumentation to their own composition practice, as demonstrated through the two submitted instrumentations/orchestrations or original compositions. Through completing a reflective creative diary, students will develop practice-as-research methodologies and critical thinking.
The instrumental ensemble workshops with the Ensemble in Residence and other professional ensembles will benefit the student's personal effectiveness through introducing them to professional working sessions with highly-skilled musicians: the students will develop their interpersonal and (oral/written) communication skills and leadership/team-working skills when working with these instrumentalists.
Instrumentation and Timbre will promote digital literacy through the use of appropriate, industry-standard notation software. |
| Keywords | instrumentation,orchestration,timbre,composition,music for screen |
Contacts
| Course organiser | Dr Thomas Butler
Tel:
Email: |
Course secretary | Miss Laura Varga
Tel:
Email: |
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