Undergraduate Course: Intaglio Printmaking: contemporary approaches (LLLA10001)
Course Outline
| School | Edinburgh College of Art |
College | College of Humanities and Social Science |
| Credit level (Normal year taken) | SCQF Level 10 (Year 1 Undergraduate) |
Availability | Not available to visiting students |
| SCQF Credits | 10 |
ECTS Credits | 5 |
| Summary | THIS IS A FOR-CREDIT ONLY COURSE OFFERED BY THE OFFICE OF LIFELONG LEARNING (OLL); ONLY STUDENTS REGISTERED WITH OLL SHOULD BE ENROLLED
This course will challenge students to investigate new ways of approaching Intaglio techniques to develop a series of ambitious and related images for print. Using and combining a range of multiple plate colour etching, photo etching, chine collé and aquatint, students will develop their own coherent themes and imagery. Students will explore the possibilities of this historic technique, and also examine how their work addresses more contemporary printmaking concerns. Printmaking today pushes boundaries, and has become central to many artists¿ activity. Students will explore the creative potential of contemporary intaglio techniques such as photo etching, and re-examine traditional methods. Students will be encouraged to experiment and develop a personal response to the medium, exploiting the creative and innovative possibilities this technique has to offer. |
| Course description |
Not entered
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Entry Requirements (not applicable to Visiting Students)
| Pre-requisites |
|
Co-requisites | |
| Prohibited Combinations | |
Other requirements | None |
Course Delivery Information
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| Academic year 2017/18, Not available to visiting students (SS1)
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Quota: 8 |
| Course Start |
Lifelong Learning - Session 2 |
Timetable |
Timetable |
| Learning and Teaching activities (Further Info) |
Total Hours:
100
(
Supervised Practical/Workshop/Studio Hours 30,
Programme Level Learning and Teaching Hours 2,
Directed Learning and Independent Learning Hours
68 )
|
| Assessment (Further Info) |
Written Exam
0 %,
Coursework
100 %,
Practical Exam
0 %
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| Additional Information (Assessment) |
This course will be assessed by the submission of a portfolio of visual design works within the discipline studied. This will include a selection of resolved design works, preparatory studies, visual research and evidence of a contextual awareness through a completed sketchbook and/or visual journal. The work must be presented in a clear and professional manner appropriate to the discipline. The submission should include work undertaken within the class as well as directed and independent study out with the class.
The combined submission will be assessed against the three learning outcomes for this course. These are equally weighted and each will be given a percentage grade. To pass, students must achieve a minimum of 30% in each learning outcome and an overall combined mark of 40% minimum. |
| Feedback |
Not entered |
| No Exam Information |
Learning Outcomes
On completion of this course, the student will be able to:
- RESEARCH
show a sophisticated ability to generate images and sustain themes suitable for printmaking
- PRACTICE
demonstrate an enhanced understanding of ways to combine a range of intaglio print processes
- PRESENT
develop a personal and confident approach to creating prints which demonstrates an understanding of contemporary printmaking concerns
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Reading List
d¿Arcy Hughes, A., and Vernon-Morris, H., 2008. Printmaking: Traditional and Contemporary Techniques. Roto Vision
Grabowski, B., 2009. Printmaking: a complete guide to materials and processes. London: Laurence King
Adam, R. and Robertson, C., 2007. Intaglio: The Complete Safety-First System for Creative Printmaking: Acrylic-Resist Etching, Collagraphy, Engraving, Drypoint, Mezzotint. London: Thames and Hudson
Graver, M., 2011. Non Toxic Printmaking. London: AC Black
Edinburgh Printmakers, 2007. Edinburgh Printmakers, 40 Years of Original Prints. Edinburgh: Edinburgh Printmakers
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Additional Information
| Graduate Attributes and Skills |
Knowledge of and ability to use printmaking techniques effectively
Skills in designing ideas for print
Understanding of editioning prints
Ability to undertake research and reflective practice and apply these in the context of printmaking within contemporary visual culture
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| Keywords | Not entered |
Contacts
| Course organiser | Mr Robbie Bushe
Tel:
Email: |
Course secretary | Miss Zofia Guertin
Tel: (0131 6)51 1855
Email: |
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