Undergraduate Course: Early Modern Tragedy (ENLI10368)
Course Outline
School | School of Literatures, Languages and Cultures |
College | College of Humanities and Social Science |
Credit level (Normal year taken) | SCQF Level 10 (Year 3 Undergraduate) |
Availability | Available to all students |
SCQF Credits | 20 |
ECTS Credits | 10 |
Summary | This course examines a wide range of Elizabethan and Jacobean tragic drama, including plays by Marlowe, Shakespeare, Carey, Middleton and Webster. It will explore variety of tragic modes in the period--including revenge drama, 'heroic' tragedy, closet theatre, tragi-comedy and domestic tragedy'as well as the range of theatrical contexts and staging practices that developed across the sixteenth and seventeenth century. |
Course description |
Tragedy engages with some of the most urgent, as well as enduring, problems that societies and individuals face. The sixteenth and seventeenth centuries were one of the great periods of tragic composition and this course will explore some of its most significant examples. The course will stress the variety of tragic modes--including revenge drama, 'heroic' tragedy, closet theatre, tragi-comedy and domestic tragedy'as well as the range of theatrical contexts and staging practices that developed across the Elizabethan and Jacobean period. In tragic drama, early modern dramatists explored how different societies experienced crisis and the political and ethical problems this exposed: questions of power and sovereignty, justice and injustice, mortality and loss, sexual hierarchy and social inequality, political conformity and resistance, liberty and oppression. The course will consider how dramatists responded to these key concerns and it will also examine different critical and conceptual understandings of tragedy. It explores a wide range of Elizabethan and Jacobean tragic drama, including plays by Marlowe, Shakespeare, Carey, Middleton and Webster. It will explore variety of tragic modes in the period--including revenge drama, 'heroic' tragedy, closet theatre, tragi-comedy and domestic tragedy'as well as the range of theatrical contexts and staging practices that developed across the sixteenth and seventeenth century.
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Information for Visiting Students
Pre-requisites | A MINIMUM of 4 college/university level literature courses at grade B or above (should include no more than one introductory level literature course). Related courses such as cross disciplinary, "Freshman Seminars", civilisation or creative writing classes are not considered for admission to this course.
Applicants should also note that, as with other popular courses, meeting the minimum does NOT guarantee admission. In making admissions decisions preference will be given to students who achieve above the minimum requirement with the typical visiting student admitted to this course having four or more literature classes at grade A.
** as numbers are limited, visiting students should contact the Visiting Student Office directly for admission to this course **
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High Demand Course? |
Yes |
Course Delivery Information
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Academic year 2017/18, Available to all students (SV1)
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Quota: 50 |
Course Start |
Semester 1 |
Timetable |
Timetable |
Learning and Teaching activities (Further Info) |
Total Hours:
200
(
Seminar/Tutorial Hours 20,
Other Study Hours 10,
Programme Level Learning and Teaching Hours 4,
Directed Learning and Independent Learning Hours
166 )
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Additional Information (Learning and Teaching) |
one hour per week Autonomous Learning Group
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Assessment (Further Info) |
Written Exam
60 %,
Coursework
30 %,
Practical Exam
10 %
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Additional Information (Assessment) |
Coursework Essay (2500 words) - 30%;
Class participation assessment - 10%;
Sit-down Examination (2 hours) - 60%
Visiting Student variant:
Coursework Essay (2500 words) - 30%;
Class participation assessment - 10%;
a take home exam essay (3000 words) - 60%
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Feedback |
Not entered |
Exam Information |
Exam Diet |
Paper Name |
Hours & Minutes |
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Main Exam Diet S2 (April/May) | | 2:00 | |
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Academic year 2017/18, Part-year visiting students only (VV1)
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Quota: 12 |
Course Start |
Semester 1 |
Timetable |
Timetable |
Learning and Teaching activities (Further Info) |
Total Hours:
200
(
Seminar/Tutorial Hours 20,
Other Study Hours 10,
Programme Level Learning and Teaching Hours 4,
Directed Learning and Independent Learning Hours
166 )
|
Additional Information (Learning and Teaching) |
one hour per week Autonomous Learning Group Participation
|
Assessment (Further Info) |
Written Exam
60 %,
Coursework
30 %,
Practical Exam
10 %
|
Additional Information (Assessment) |
Coursework Essay (2500 words) - 30%;
Class participation assessment - 10%;
Sit-down Examination (2 hours) - 60%
Visiting Student variant:
Coursework Essay (2500 words) - 30%;
Class participation assessment - 10%;
a take home exam essay (3000 words) - 60%
|
Feedback |
Not entered |
No Exam Information |
Learning Outcomes
On completion of this course, the student will be able to:
- In their work for this course, students will be able to demonstrate knowledge of and critical engagement with the principal modes of Elizabethan and Jacobean tragedy.
- In their work for this course, students will be able to demonstrate an awareness of the key critical debates elicited by early modern tragedy.
- In their work for this course, students will be able to demonstrate awareness of the key political and ethical debates relevant to the period's tragic theatre.
- In their work for this course, students will be able to analyse tragic drama in the context of changing social and theatrical conventions.
- By the end of the course students will be able to demonstrate the ability to reflect constructively on the development of their own learning and research practice.
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Reading List
Compulsory
English Renaissance Drama: A Norton Anthology, ed. David Bevington et al (New York: Norton, 2002)
Othello, ed. Michael Neill (Oxford: Oxford University Press, 2008)
Recommended
Barker, Francis. The Culture of Violence: Essays on Tragedy and History. Manchester: U P, 1993.
Belsey, Catherine. The Subject of Tragedy : Identity and Difference in Renaissance Drama. London: Methuen, 1985.
Bushnell, Rebecca W. Tragedies of Tyrants: Political Thought and Theater in the English Renaissance. Ithaca: Cornell U P, 1990.
Bushnell. Rebecca W (ed) A Companion to Tragedy. Oxford: Blackwell, 2005.
Drakakis, John and Tragedy. Harlow: Longman, 1998.
N C Leiber Eds.
Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. Brighton: Harvester, 1984.
Eagleton, Terry. Sweet Violence: The Idea of the Tragic. Oxford: Blackwell, 2003.
Kerrigan, John. Revenge Tragedy: Aeschylus to Armageddon. Oxford : Clarendon Press, 1996.
McEachern Claire (ed) The Cambridge Companion to Shakespearean Tragedy. Cambridge: U P, 2002.
Moretti, Franco. 'The Great Eclipse: Tragic Form as the Deconsecration of Sovereignty'. In Signs Taken for Wonders: Essays in the
Sociology of Literary Forms rev.ed. London: Verso, 1988; Rpt in Shakespearean Tragedy Ed. J Drakakis.
Wallace, Jennifer. The Cambridge Introduction to Tragedy. Cambridge: U P, 2007.
Williams, Raymond. Modern Tragedy (1966; repr London: Hogarth Press, 1992).
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Contacts
Course organiser | Dr Dermot Cavanagh
Tel: (0131 6)50 3618
Email: |
Course secretary | Ms Sheila Strathdee
Tel: (0131 6)50 3619
Email: |
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© Copyright 2017 The University of Edinburgh - 6 February 2017 7:41 pm
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