Undergraduate Course: Sound Recording (MUSI08054)
Course Outline
| School | Edinburgh College of Art |
College | College of Humanities and Social Science |
| Course type | Standard |
Availability | Not available to visiting students |
| Credit level (Normal year taken) | SCQF Level 8 (Year 1 Undergraduate) |
Credits | 20 |
| Home subject area | Music |
Other subject area | None |
| Course website |
http://www.music.ed.ac.uk |
Taught in Gaelic? | No |
| Course description | Sound Recording comprises an introduction to location sound recording. The recording techniques introduced make use of the recording environment to enhance the sound of the recording in order to create a sense of authenticity. |
Entry Requirements (not applicable to Visiting Students)
| Pre-requisites |
Students MUST have passed:
|
Co-requisites | |
| Prohibited Combinations | |
Other requirements | Only available to students registered for the BMus (Music Technology) programme. |
| Additional Costs | Purchasing of recording/backup media |
Course Delivery Information
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| Delivery period: 2014/15 Semester 2, Not available to visiting students (SS1)
|
Learn enabled: Yes |
Quota: None |
|
Web Timetable |
Web Timetable |
| Class Delivery Information |
Lectures week 2,4,7,9. Practical sessions (2 hours each) held in the Electroacoustic Music Studios in smaller groups (assigned in Freshers' Week) weeks 3,5,8 and 10. |
| Course Start Date |
12/01/2015 |
| Breakdown of Learning and Teaching activities (Further Info) |
Total Hours:
200
(
Lecture Hours 8,
Seminar/Tutorial Hours 8,
Feedback/Feedforward Hours 4,
Programme Level Learning and Teaching Hours 4,
Directed Learning and Independent Learning Hours
176 )
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| Additional Notes |
|
| Breakdown of Assessment Methods (Further Info) |
Written Exam
0 %,
Coursework
100 %,
Practical Exam
0 %
|
| No Exam Information |
Summary of Intended Learning Outcomes
+ Students will be able to make recordings in various styles on location with confidence and with an awareness of the technical and aesthetic issues such recordings involve.
+ They will gain a basic understanding of the cultural and aesthetic issues that surround the making of instrumental and vocal sound recordings.
+ They will be able to instigate and manage a recording session on location.
+ They will be able to edit and master recording sessions onto CD with technical confidence using a recording studio based around a hard disk recording system |
Assessment Information
| Two pieces of coursework assigned throughout the year (20% each); one location recording, minimum length 5 minutes, maximum length 15 minutes, and one report, maximum 2,000 words (60%). |
Special Arrangements
| None |
Additional Information
| Academic description |
Not entered |
| Syllabus |
Not entered |
| Transferable skills |
Not entered |
| Reading list |
Bartlett, Bruce and Jenny Bartlett. ¿Practical Recording Techniques.¿ Fourth Edition. Boston: Focal Press (2005) [TK 7881.6 Bar.]
Borwick, John. ¿Sound Recording Practice.¿ Fourth Edition. Oxford: Oxford UP (1996) [TK 7881.4 Sou.]
Day, T. (2000). A century of recorded music : listening to musical history. New Haven, [Conn.] ; London, Yale University Press.
Gould, G. and T. Page (1987). The Glenn Gould reader. London, Faber.
Milner, G. (2009). Perfecting sound forever : an aural history of recorded music. New York, Faber and Faber.
Rumsey, Francis. ¿Spatial Audio.¿ Oxford: Focal Press (2001) [TK7881.8 Rum.]
Rumsey, Francis and Tim McCormick. ¿Sound and Recording: An Introduction.¿ Fifth Edition. Oxford: Focal Press (2006) [TK 7881.4 Rum]
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| Study Abroad |
Not entered |
| Study Pattern |
Not entered |
| Keywords | Music Technology Sound Recording |
Contacts
| Course organiser | Dr Sean Williams
Tel:
Email: |
Course secretary | Mr Brad Herbert
Tel: (0131 6)50 2422
Email: |
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