Postgraduate Course: TPG Sites (ARTX11035)
Course Outline
| School | Edinburgh College of Art |
College | College of Humanities and Social Science |
| Course type | Standard |
Availability | Not available to visiting students |
| Credit level (Normal year taken) | SCQF Level 11 (Postgraduate) |
Credits | 40 |
| Home subject area | Art |
Other subject area | None |
| Course website |
None |
Taught in Gaelic? | No |
| Course description | This course integrates your approach to artistic research, production and distribution by focusing on 'sites' as key factors in the professional development of your practice. You will learn about how art can both mediate and be mediated by the experience of its
context and explore different ways in which space and place are constructed in contemporary art globally. You will develop artistic possibilities that lie inside the contexts of the museum and gallery and in the public and virtual realms. |
Entry Requirements (not applicable to Visiting Students)
| Pre-requisites |
|
Co-requisites | |
| Prohibited Combinations | |
Other requirements | None |
| Additional Costs | None |
Course Delivery Information
|
| Delivery period: 2013/14 Semester 1, Not available to visiting students (SS1)
|
Learn enabled: No |
Quota: None |
|
Web Timetable |
Web Timetable |
| Course Start Date |
16/09/2013 |
| Breakdown of Learning and Teaching activities (Further Info) |
Total Hours:
400
(
Directed Learning and Independent Learning Hours
400 )
|
| Additional Notes |
|
| Breakdown of Assessment Methods (Further Info) |
Please contact the School directly for a breakdown of Assessment Methods
|
| No Exam Information |
Learning Outcomes
On completion of this course, the student will be able to:
1. Critically assess and integrate appropriate methods of distribution and sites of consumption into the production of your work.
2. Engage both your peers and external participants in the critical discourse that validates your practice.
3. Working alongside some of your peers, produce, install and curate a resolved exhibition for critical scrutiny. |
Assessment Information
Portfolio
Studentship
Project |
Special Arrangements
| None |
Additional Information
| Academic description |
Not entered |
| Syllabus |
Not entered |
| Transferable skills |
Not entered |
| Reading list |
Abbing, Hans. 'Why are artists poor?: The Exceptional Economy of the Arts, Amsterdam:Amsterdam University Press, 2002.
Kwon, M. (2003) One Place after Another: Site-specific Art and Locational Identity. Cambridge,MA: MIT Press.
Putman, J. (2001) Art and Artefact: The Museum as Medium. London: Thames & Hudson.
O'Doherty, B. (2000) Inside the White Cube: The Ideology of the Gallery Space. Berkeley, CA: University of California Press.
Hubbard, P., Kitchin, R. and Valentine, G. (eds)(2004) Key Thinkers on Space and Place. London: Sage.
Buskirk, Martha. 'The Contingent Object of Contemporary Art', MIT, 2005.
Moser, A. & MacLeod, D. (1995) Immersed in Technology: Art and Virtual Environments. Cambridge, Mass: MIT Press.
Coles, A. (ed.) (2000) Site-specificity: The Ethnographic Turn.
Baker, C. (ed) (1994) The Subversive Imagination: Artists, Society and Social Responsibility. London: Routledge. |
| Study Abroad |
Not entered |
| Study Pattern |
Not entered |
| Keywords | Not entered |
Contacts
| Course organiser | Dr Neil Mulholland
Tel: (0131 6)51 5881
Email: |
Course secretary | Miss Susan Mitchell
Tel: (0131 6)51 5743
Email: |
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