Postgraduate Course: Practice 2 (Art) (ARTX11010)
Course Outline
School | Edinburgh College of Art |
College | College of Humanities and Social Science |
Course type | Standard |
Availability | Not available to visiting students |
Credit level (Normal year taken) | SCQF Level 11 (n/a) |
Credits | 40 |
Home subject area | Art |
Other subject area | None |
Course website |
None |
Taught in Gaelic? | No |
Course description | Indicative course content
This module will extend and consolidate an integrated approach to research, artistic production and dissemination.
Aims of course
1 To critically review and extend knowledge of current processes and practices associated with your work.
2 To consolidate a critical understanding of the main practices and strategies for artistic dissemination.
3
Mode of delivery
Installation, Studio-Based, Tutorial. |
Entry Requirements (not applicable to Visiting Students)
Pre-requisites |
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Co-requisites | |
Prohibited Combinations | |
Other requirements | Pre-requisites
Co-requisites
Prohibited combinations
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Additional Costs | None |
Course Delivery Information
Not being delivered |
Learning Outcomes
On completion of this course, the student will be able to:
1. EXPLORE: Apply and extend a range of specialised methods of enquiry relevant to your practice.
2. EXPERIMENT: Apply critical analysis to your practice that employs issues at the forefront of artistic production.
3. SYNTHESISE: Communicate original and creative responses to issues related to your praxis. |
Assessment Information
Assessment plan
Not entered |
Special Arrangements
None |
Additional Information
Academic description |
Not entered |
Syllabus |
Not entered |
Transferable skills |
Not entered |
Reading list |
Indicative Bibliography
Abbing, Hans, 1946- Why are artists poor? : the exceptional economy of the arts / Hans Abbing. Published:Amsterdam : Amsterdam University Press, c2002. Krauss, Rosalind E. Title: The optical unconscious / Rosalind E. Krauss. Published: MIT, 1993. Wallis, Brian, 1953-Blasted allegories : an anthology of writings by contemporary artists / edited by Brian Wallis. Published: New Museum of Contemporary Art/MIT, 1987 Contemporary art : from studio to situation / edited by Claire Doherty. Published: London : Black Dog Pub., 2004. |
Study Abroad |
Not entered |
Study Pattern |
Contact hours 30 hours
Directed study 130 hours
Self-directed study 240 hours
Total 400 hours |
Keywords | PAINTING, SCULPTURE, INTERMEDIA, PRINTMAKING. |
Contacts
Course organiser | |
Course secretary | |
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