Postgraduate Course: TPG Studio (ARTX11036)
Course Outline
| School | Edinburgh College of Art |
College | College of Humanities and Social Science |
| Course type | Standard |
Availability | Not available to visiting students |
| Credit level (Normal year taken) | SCQF Level 11 (Postgraduate) |
Credits | 40 |
| Home subject area | Art |
Other subject area | None |
| Course website |
None |
Taught in Gaelic? | No |
| Course description | This course will enhance your ability to research, analyse, produce and exhibit your practice in relation to cultures of the studio. It encourages you to reconsider what sort of space a 'studio' is as a site of production in the contemporary art world and to speculate on what it might become. You are encouraged to explore you how the studio impacts upon your practice and to examine opportunities in
the ever expanding range of activities and infrastructures behind artistic production today. |
Entry Requirements (not applicable to Visiting Students)
| Pre-requisites |
|
Co-requisites | |
| Prohibited Combinations | |
Other requirements | None |
| Additional Costs | None |
Course Delivery Information
|
| Delivery period: 2012/13 Semester 2, Not available to visiting students (SS1)
|
WebCT enabled: Yes |
Quota: None |
| Location |
Activity |
Description |
Weeks |
Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
| No Classes have been defined for this Course |
| First Class |
First class information not currently available |
| No Exam Information |
Learning Outcomes
On completion of this course, the student will be able to:
1. Generate a focus for and make a constructive contribution to group crits.
2. Working alongside some of your peers, install and present a Project for critical scrutiny.
3. Critically re-assess the function of the studio in the production, distribution and consumption of your work. |
Assessment Information
Studentship
Installation
Portfolio |
Special Arrangements
| None |
Additional Information
| Academic description |
Aims
1. To enable you to re-assess the function of the studio and the gallery in the production, distribution and consumption of contemporary art.
2. To generate a productive and supportive peer review environment that enhances your ability to elucidate your work and contribute to the development of contemporary art.
3. To enable you to work closely alongside your peers to initiate, organise and participate in exhibitions, projects and events. |
| Syllabus |
Not entered |
| Transferable skills |
Not entered |
| Reading list |
Indicative Bibliography
Mary Jane Jacob and Michelle Grabner, 'Studio reader: On the Space of Artists', University of Chicago Press, 2010.
Kim Paice, 'The Fall of the Studio: Artists at Work', Valiz, 2009.
Daniel Buren, 'The Function of the Studio', 1971.
Terry Atkinson "Phantoms of the Studio", The Oxford Art Journal, Vol. 13, No. 1, 1990.
Rebecca Fortnum and Chris Smith 'The Problem of Documenting Fine Art Practices and Processes' Journal of Visual Arts Practice Volume 6 Number 3, 2007.
Kendall Buster and Paula Crawford, The Critique Handbook: The Art Student's Sourcebook and Survival Guide (2nd Edition), Pearson, 2009.
Rudolf Arnheim, 'Visual Thinking', 1969.
Ivan Illich, Tools for Conviviality, Marion Boyars, 2001.
Jacques Ranciere, The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation, Stanford University Press, 1991. |
| Study Abroad |
Not entered |
| Study Pattern |
Not entered |
| Keywords | PGDip Contemporary Art, School of Art |
Contacts
| Course organiser | Dr Neil Mulholland
Tel:
Email: |
Course secretary | Mrs Chrystin Mcderment
Tel: 0131 221 6087
Email: |
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