| 1 |
Visual Research: Theoretical and Methodological Issues |
A |
11 |
20 |
|
History of Art Research Training |
A |
11 |
20 |
|
Internship in a museum or public institution |
A |
11 |
40 |
|
Dissertation (MSc in History, Theory and Display) |
A |
11 |
60 |
|
Illuminated Books: their Makers and Owners |
A |
11 |
20 |
|
Medieval Persian Book Painting: Texts, Images and Patrons |
A |
11 |
20 |
|
“Teorica disegno”: the Graphic Arts in Italy in the Fifteenth
Century |
A |
11 |
20 |
|
Reconstructing the Later Middle Ages in Northern Europe |
A |
11 |
20 |
|
The Art of Visual Communication: Prints and Printmaking in Sixteenth-Century
Italy |
A |
11 |
20 |
|
Scottish Art and the Enlightenment |
A |
11 |
20 |
|
Physique and Face: Transforming the Body in Nineteenth-Century France |
A |
11 |
20 |
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Figuration and Disfiguration in European Art, c.1905-1950 |
A |
11 |
20 |
|
1940s: Art in an Age of Crisis |
A |
11 |
20 |
|
Architecture and Identity Now |
A |
11 |
20 |
|
Rubens and the Arts of Persuasion |
A |
11 |
20 |
|
Impressionism and the Third Republic, Culture, Politics and Social Change,
1865-1900 |
A |
11 |
20 |
|
From Jacobitism to Romanticism, The (re)invention of Scotland in visual
and material culture |
A |
11 |
20 |
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