The Art of Visual Communication: Prints and Printmaking in Sixteenth-Century Italy (P00274)

? Credit Points : 20 ? SCQF Level : 11 ? Acronym : ACE-P-P00274

A critical examination of the standard accounts of the development of printmaking in sixteenth-century Italy. This was a period when the volume of print production increased exponentially. The century saw considerable changes in the organisation of production, with the emergence of print publishers like Il Baviera, Antonio Salamanca and Lafreri in Rome and similar, but less well-known, figures in Venice. The business of prints in the period is characterized by a division of labour, in which designers, cutters, printers and distributors were often separate people. It has sometimes been argued that this meant an almost industrial organisation, but there were still many individual printmakers: artists who explored the media for specific technical or expressive reasons, and innovative individuals who used prints to convey new ideas. How should this situation be understood? It has often been said that this is essentially a period of decline, after the achievements of the fifteenth century and very early years of the sixteenth. It is also usually said that the status of prints and printmaking was rather low in contemporary estimation. Are these claims true? How were prints seen in the context of the other visual arts? Is it significant that the term 'disegno a stampa' (printed drawing) was the most commonly used designation of an engraving or etching. There are also issues arising from the enormous variety of ways in which prints were utilized. In particular the sixteenth century saw the development of printmaking for scientific and technological purposes: were there important links between these media and the major advances in scientific knowledge that were taking place in Italy at the time?

Entry Requirements

none

Subject Areas

Home subject area

History of Art, (School of Arts, Culture and Environment, Schedule A)

Delivery Information

? Normal year taken : Postgraduate

? Delivery Period : To be arranged/Unknown

? Contact Teaching Time : 2 hour(s) per week for 11 weeks

? Additional Class Information : Semester 1 or 2, Th at times to be arranged

Summary of Intended Learning Outcomes

The course will in general give the students familiarity with an important aspect of Italian Renaissance art. The critical approach that will be taken up in relation to the existing literature on the subject will train them to treat what they read with scepticism. The historical and critical understanding they acquire will be accompanied by a first hand acquaintance with the objects themselves. The print collections of the National Galleries of Scotland at Edinburgh and the Hunterian Museum at Glasgow will be used as sources and the students will be encouraged to build up experience of examining the primary objects for themselves. The major media with which they will become acquainted will be woodcut, including the chiaroscuro woodcut, engraving and etching. The use of prints for the illustration of books will also be discussed and study of the rare books in the University Library, the National Library of Scotland and elsewhere will give the students knowledge and understanding of important aspects of early book production.

Assessment Information

Principal means of assessment is a 4,000 word essay. In addition each candidate's performance will be monitored through the presentation of seminar material.